2008 - Susan Hefuna, Bharti Kher, Fred Tomaselli: Between the Worlds, Kunstmuseum Thun, Switzerland - Khoj Residency Show, Khoj Studios, New Delhi, India “Bindis are fast becoming the accessory of choice for their sensual charm and sparkle. - Sirpur Paper Mills, workshop Exhibition, at Art Inc, New Delhi, India 2019 - Embarkation’s, curated by Yashodra Dalmia, Sakshi Gallery (cat), Mumbai, India - Bharti Kher, Parasol Unit Foundation for contemporary art, London - Sing to them that will listen Galerie Emmanuel Perrotin, Paris 1997 - Portable Art: A project by Celia Forner, Hauser & Wirth, Zurich, Switzerland Herein lies the transformative power of art to take the ordinary stuff of life and create something altogether new which returns us back to reality with a fresh sense of the divine, immanent all around us. - Playgrounds & Toys, ART for The World, Geneva, in Delhi with Nature Morte - Telling Tails, Galerie F.I.A, Amsterdam, Netherlands - Public Art Exhibition, Harvard Business School, Boston, USA View Bharti Kher’s 125 artworks on artnet. - Aar Paar, an exchange between five Indian and Pakistani artists, curated by Shilpa Gupta and Hema Mulji, at Kundan Pan Shop, Karachi, Pakistan Kher’s works thus appear to move through time, using reference as a counterpoint and contradiction as a visual tool. God’s Oasis’ at Hauser & Wirth Zürich. India: A New Era of Indian Art, Essl Museum, Vienna, Austria In any marketplace in India, you’ll find thousands of different designs, colours, and sizes. Collections et nouvelles acquisitions de l'Institut, Institut Culturel Bernard Magrez, Bordeaux, France The two eyes are used for seeing the material world, reality, everyday stuff - but the third eye sees beyond, and seeing beyond apprehends the spiritual truth that the material world is illusory (maya) and the soul is neither personal nor contained, but rather a transitory expression of cosmic, eternal oneness. - Djinns, things, places, Galerie Perrotin, Tokyo, Japan Bharti Kher creates fantastic fables populated by animals awash in a great primal wave of semen-shaped bindis, pantheons of female human-ape hybrids, and spectral hosts in dainty domestic settings gone awry. - Re-imagining Asia, A thousand years of separation, curated by Shaheen Merali and Wu Hang, at the House of world cultures (cat) Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. 1969) The Skin Speaks A Language Not Its Own bindis on fibreglass 55 7/8 x 180 x 76¾ in. - Cryptograms, Lakeeren Art Gallery, (cat), Mumbai, India - This Breathing House, Freud Museum, London - Here Today...A major exhibition marking 50 years of the IUCN Red List, The Old Sorting Office, London ​- ARKEN Art Prize 2001 - Don’t Shoot the Painter – UBS Art Collection, Villa Reale’s Galleria d’Arte Moderna, Milan, Italy Artists engaged with new paradigms of global and national space typically choose one of two paths. Kher’s hybrid creatures are fabricated from such a dystopian repository which architect Rem Koolhaas defines as “junkspace, a domain of feigned, simulated order, a kingdom of morphing.” Junkspace is a playful and residual spatial disorder that results from the unregulated growth of cities. - An absence of assignable cause, Nature Morte, New Delhi, India - Postcards for Gandhi, a Sahmat Exhibition in five cities in India Her work has been the subject of numerous solo exhibitions and has been included in scores of group exhibitions at museums and galleries worldwide. ARKEN Prize. 2011 Kher uses the bindi as a means of transforming objects and surfaces, and to inflect her art with a range of meanings and connotations from various historical and contemporary periods. - Silence Violence, NSA Gallery, a Pulse Project, curated by Greg Streak Durban, NieBethesda and Stellenbosch, South Africa - Creative Space, Sakshi Gallery, at Habitat Centre, (cat), New Delhi, India 2015 - Pattern ID, Akron Art Museum, US - Résonance, Fondation Opale, Switzerland - Dot. Kher’s creations poke fun at their own trajectory: rootless, as they traverse their in-between worlds. Bharti Kher's work encompasses painting, sculpture and installation. - Present, Johyun Gallery, Busan, Korea Education 1988. 2004 Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. Artist-in-Residence During her residency Bharti Kher spent a month in the Museum galleries looking. It makes perfect sense for Bharti Kher’s work to be included in this exhibition, entitled Like Life: Sculpture, Color, and the Body. 
- Where in the world, curated by Kavita Singh, Shukla Sawant and Naman Ahuja, Devi Lives and works in Delhi, India. 2013 - Impact, curated by Jim Beard Gallery, Amsterdam at CCA New Delhi, India Bharti Kher Some Girls are Like That Only 2004 233×218×10cm. In Buddhism the white elephant is associated with wisdom and with royalty and features in processions and ceremonies across South and South-East Asia. - Messengers, Grunwald Gallery of Art, Indiana University, Bloomington, USA  Throughout her practice she has displayed an unwavering relationship with surrealism, narrative, and the nature of things. Bharti Kher: A Bag Full Of Love When Bharti Kher summons her artistic prowess to reinterpret an iconic fashion accessory the results might well tread into a near-cerebral experience. 2009 Her most significant trademark is the use of the traditional Indian bindi which she uses in her works of all mediums. Bharti Kher’s oeuvre spans more than two decades and includes paintings, sculptures and installations. Kher’s practice explores issues of identity and culture through works that straddle mediums and practices and a recurring motif in her work is the bindi. 2000 Kher chooses to reside in-between. 2002 - French Government residency, Paris, France Asia Pacific Triennale, Queensland Art Gallery, (cat), Brisbane, Australia - Private/Corporate IV, Sammlung DaimlerChrysler- Lekha and Anupam Poddar Collections, Berlin, Germany - Not All Who Wanders Are Lost, Isabella Stewart Gardner Museum, Boston, USA 2000 - 6th Bharat Bhawan Biennal of Contemporary Indian Arts, Bhopal, India The host of the evening, Siddharth, making artist Bharti Kher feel comfortable ( Naina Redhu ) As initiation into a lifelong apprenticeship to art practice, she credits literature. This magazine article is about one of the artworks in the exhibition titled Virus XI (2020). Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. - Vision Exchange: Perspectives from India to Canada, University of Toronto Art Centre, Toronto, Canada 1999 India: A New Era of Indian Art, The National Museum of Contemporary Art Museum, Seoul, Korea Bharti Kher Parasol Unit Foundation for Contemporary Art, London, UK 2012 The Hot Winds that Blow from the West Hauser & Wirth, New York, USA 2012 Reveal the Secrets that You Seek Savannah College for Art and Design, Savannah, USA 2012 Bharti Kher Galerie Emmanuel Perrotin, Hong Kong, HK 2011 Leave Your Smell Galerie Emmanuel Perrotin, Paris, FR 2015 In part inspired by artists such as Hieronymus Bosch, Francisco Goya and William Blake, Bharti Kher references magical beasts, mythical monsters and allegorical tales in which they might feature in her work. An array of found objects expressed her interest in the dual concepts of the mythological and scientific, the secular and ritualistic, and the physical and psychological. - Sidewinder, curated by Gerard Hemsworth for CIMA Gallery, Kolkata, India 2011 - Versus Rodin: Bodies across space and time, Art Gallery of South Australia, Adelaide, Australia - Art Heritage, (cat), New Delhi, India - The Sneeze 80x80, curated by Peter Lloyd Lewis and Natasha Makowski, Cape Town, Durban - GLUE, curated by Peter Nagy at Sumukha Gallery, Bangalore, India - The Private Softness of Skin, Gallery Chemould, Mumbai, India It’s so simple - a red dot on the forehead. Bharti Kher uses stick-on bindis as a central motif in her practice. - Marvellous Reality, Lalit Kala Academy, New Delhi, India
Shifting Shapes. 2019 - Trends in Contemporary Indian Art, Art Heritage, New Delhi, India 1993 2005 - Seduction by masquerade, Nature Morte, Delhi, India 1991 - Fresh Art, the National Fine Art Degree Fair, the Business Design Center, London, UK It says “I’m a woman” and “I’m an Indian”. Bharti Kher Lady with an Ermine 2012 230×60×60cm. - Les Artistes Indiens d’Aujourd’hui, Palais Bénédictine, Fécamp, France 2012 Chairs, paintings, objects, and fabrics—nothing escaped her eye. - Codes of Culture, SKE Gallery, New Dehli, India - The British Museum, London, United Kingdom - Relations (Diaspora and Painting), Fondation Phi, Montreal, Canada  Kathryn ANDREWS, Sophie CALLE, Leslie HEWITT, Bharti KHER, Alicja KWADE, B. Ingrid OLSON, Cornelia PARKER, Gala PORRAS-KIM, Tatiana TROUVE June 21 - August 18, 2017 new york - The Laws of Reversed Effort, Galerie Perrotin, Paris Bharti Kher is mostly known for her colossal sculptures, but works in a variety of mediums. In the 1960s and 70s, semioticians like Julia Kristeva and Roland Barthes taught us to decode the meanings that inhere in objects, studying ‘signs’ like language. “Symbolically and conceptually female and male at the same time...What happens is you are getting a contradictory visual aesthetic,” says Kher. This work is one … - The Unexpected Freedom of Chaos, Galerie Perrotin, New York  Secondly, she locates her work in-between a society, entrenched in class divisions and prescribed gender roles, that retains a strong desire to be, but has never been, ‘truly modern’ which for sociologist Bruno Latour is also ‘truly hybrid,’ a condition where distinctions between humans and nature, ecology and politics are blurred. Of a minute of a second of a defree, Hauser & Wirth, Zurich - Festival der Tiere, Essl Museum, Klosterneuburg, Austria - Galerie F.I.A, Amsterdam, Netherlands - Hungry Dogs Eat Dirty Pudding, Nature Morte, New Delhi, India - In Her Own Language, Lawrence Wilson Art Gallery, Perth, Australia The colour red is very strongly associated with marriage, with femininity, and sexuality. - of, based on, or obtained by (Tradition), Nature Morte, New Delhi - Borderless Terrain, curated by Alka Pande, India Habitat Center, (cat), New Delhi, India - Misdemeanors, Rockbund Art Museum, Shanghai, China - Indian Focus, Espace Claude Berri, Paris - Virus, BALTIC Centre for Contemporary Art, Gateshead, UK 2007 Systems. But as someone who believes that “change is the very nature of our bodies,” Kher is here to remind us that she is … Exhibitions . One of India’s most prominent contemporary artists, Kher uses the “medium” of traditional and sperm-shaped bindis in her practice, whether employed in swirling painted gestures or running through her eclectic range of large sculptural installations. - Chalo! Although these are both misconceptions, they hold the seeds of some truth - they are wrong in interesting ways. Foundation Course in Art and Design Newcastle Polytechnic, BA Honors, Fine Art … - North Carolina Museum of Art, Raleigh NC, USA, 2015 It is a unique system of camouflage and deception engaged to resist old patriarchal regimes and to invent new hybrid worlds and hybrid creations. Bharti Kher Lao's Mirror, (Diptych) 2012 249×188×4cm. 2007 Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. For Kher, morphing is a survival technique. - New Delhi – New Wave, Primo Marella Gallery, Milano, Italy (cat.) - Who’s Afraid of the Artists? ©2021 Artnet Worldwide Corporation. - Tauba Auerbach, Matthew Day Jackson…, Galerie Emmanuel Perrotin, Paris - Telling Tails, New Delhi, India My Bengali aunt has only worn black bindis since her husband died, in keeping with the tradition that widows should not wear red. Are you experienced? Through her morphed objects and animals, Kher revels in the discomfort and comedy that result from her encounters with metropolitan and small-town India. - Dark Matter (MM), Museum Frieder Burda Salon Berlin, Germany  - Le troisième Oeil, Lille 3000, curated by Caroline Naphegyi, (cat), Lille, France - Tantra : enlightenment to revolution, The British Museum, London, UK “It’s both the symbol of the beginning and the life force, transformation and healing,” she says. - Edge of The Century, curated by Amit Mukopadya, British Council, (cat), New Delhi, India - Quasi-, mim-, ne-, near-, semi-, -ish, -like, Gallery Ske, Bangalore, India - AIFACS, New Delhi, India, 2020 Bharti Kher (b. 2016 What face does this being present to the world, looking into the mirror, and carefully adding that cultural full stop - straight between the eyes? Load More. 1988 - Photosphere, curated by Peter Nagy, Nature Morte, New Delhi, India Rebirth and apocalypse in contemporary art’, Kiev, Ukraine - Paris Delhi Bombay, Centre Pompidou, Paris Free Binayak Sen. Bharti Kher Artworks. Kunsthal - ROTTERDAM, Netherlands view map, The British Museum - LONDRES, United Kingdom view map, Fondation Opale - Lens, Switzerland view map, Born in 1969 in London, United Kingdom Bharti Kher: Movements is a tool designed by DHC/ART Education to encourage visitors to develop and elaborate on some key concepts of the exhibition Bharti Kher: Points de départ, points qui lient.. - Chimeras, Pasquart Kunsthaus Centre d'art, Biel/Bienne, Switzerland  - Worcester Art Museum, Worcester MA, USA Phone +91 8510044145 +91 11 26644145. connect with us ... Bharti Kher; Bharti Kher. 2010 - A Consummate Joy, IMMA, Dublin, Ireland - Bharti Kher, Yayoi Kusama, Eva Rothschild, Mindy Shapero, Marianne Boesky Gallery, NY New York is no longer the same city when Bharti Kher showed here last. Transforming Vision: 21st Century Art from the Pizzuti Collection, Columbus OH - Art & Textiles – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Wolfsburg, Germany at Newcastle Polytechnic, United Kingdom. Saatchi Gallery London in Lille, Tri Postal, Lille - India - Guest in the Giant, RAIN.bow.PEARLS, organized by Swarovski at the Kristallwelten Again: wrong, but not entirely. Bharti Kher Artworks. 2017 See our Privacy Policy for more information about cookies. This mark of blessing is common throughout India. India: A New Era of Indian Art, Mori Art Museum, Tokyo, Japan The one does not cancel the other out, but the two combine to make a third idea, or thing, which shimmers with the luminescence of both. It’s there on the cover of Are you Experienced? - Art Gallery of New South Wales, Sydney, Australia - Chevalier dans l'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters of France) - BHARTI KHER Matter, Vancouver Art Gallery, Canada - Hungry Gods, Arario Gallery, (cat), Beijing, China - Salon, Hauser & Wirth, Zurich, Switzerland - The First Kiev Biennale of Contemporary Art: The best of times, the worst of times. - Quartiers d'été, Collection de l'Institut Culturel Bernard Magrez, villa les Roches Brunes, Dinard, France - Squires Gallery, Newcastle Polytechnic, Newcastle upon Tyne, UK, - Queensland Art Gallery, Queensland, Australia 2018 - Indian Summer, curated by Deepak Anand and Jany Luga, ENSBA, (cat), Paris - The hot winds that blow from the West, Hauser & Wirth, New York But there again, the modern bindi - that comes in a handy pack, with sticky backs - is not only red, and even the plain red variety are worn by girls and women of all ages whether married or not. She is a recipient of the ARKEN Art Prize (2010) and is a Chevalier of the Ordre des Arts et des Lettres of France (2015). - Chalo! The artist Bharti Kher Born 1969, London, UK. The bindi, or tikka, is the symbol par excellence of Indian femininity. - Anomalies, Kukje Gallery, Seoul, Korea Nothing more complicated, you’d have thought, than a full stop. 2006 Apr 28, 2018 - Explore Jay Hudson's board "Bharti Kher", followed by 151 people on Pinterest. Exhibition curator Peter Pakesch introduces ‘Mike Kelley. Bharti Kher. This was the day after schools, colleges and all public buildings were closed due to rising concerns about the spread of COVID-19. - Kiran Nadar Museum of Art, New Delhi, India 2014 Straightforward sentences, and yet there are few more complex ideas than gender and nationality. Throughout her career Kher has kept some repeating patterns in her paintings from her student years from the late 1980s to … They just look nice. - Girl - curated by Pharrel Williams, Galerie Perrotin, Paris - Misled by Nature: Contemporary Art and the Baroque, Art Gallery of Alberta, Canada (Travelling Exhibition) 2003 Style and technique of the artist: Sculpture Objects, Installation art, Bharti Kherartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. 2013 - Signs of Life. Bharti Kher Feather Duster 2004 76×114cm. - MANGO, A SAWCC show for Talwar Gallery, New York, USA By continuing to use our sites and applications, you agree to our use of cookies. - Comme des bêtes, (Like animals), Fine Arts Museum in Lausanne, Switzerland, curated by Bernard Fibicher A Thousand Years of Separation, The New Art Gallery Walsall, Walsall, England (Travelling Exhibition) - Gothenburg Culture Festival Gothenburg, Sweden - Facing East: Recent Works from China, India and Japan from the Frank Cohen Collection, Manchester Art Gallery, England - Fond illusions, Perrotin, New York, USA Artifacts have etymologies just as much as words, and when artifacts are used in art, it is those hidden, multiple layers which are brought to the surface. by William Sutcliffe making a bright sunflower of a western backpacker’s bare bellybutton. Bharti Kher’s oeuvre spans more than two decades and includes paintings, sculptures and installations. Kher found special interest in the pairs of animal forms that appear all around the courtyard as well as the Persian and Arabic diagrams and story illustrations in the Tapestry Room. About The Artist. - Mutant Beauty, Anant Art Gallery, curated by Gayatri Sinha at the Anant Art Gallery, New Delhi - Disturbia, utopia, house beautiful, Gallery SKE, Bangalore, India - Boxwallahs, Art in a Public Space with De Ego, a collaborative work with Subodh Gupta at Sahay Filling Station, Gurgaon/ Mehrauli Road, N.H.8, India - I See You, Savannah College of Art and Design, Savannah, USA - Indian Photo and Media Art: A Jouney of Discovery, FLUSS - NÖ Initiative for Photo-and Media Art, Weinviertel, Austria Unstable Signs, Yale University School of Art, New Haven CT
Narratives from India in the 21st century: Between Memory and History, Madrid / Casa Asia, Barcelona, Spain - Everywhere is war, Bodhi Art Bombay, curated by Shaheen Merali, (cat.) - Facing India, Kunstmuseum Wolfsburg - Wolfsburg, Germany It’s a mix’n’match symbol, shaken loose of its cultural moorings and flying its colours high and bright. - An absence of assignable cause, Jack Shainman Gallery, New York, U.S.A. - Indian Highway, curated by Gunnar B. Kvaran, Astrup Fearnley Museum of Modern Art, Oslo, Norway Within Hindu cosmology, the “third eye” is just here - gods, goddesses (especially Kali) and other enlightened beings are often depicted in paintings and sculptures with the third eye opened. - Go East: The Gene & Brian Sherman Contemporary Asian Art Collection, curated by Suhanya Raffel - Sorry For The Inconvenience, curated by Gridthya Gaeweewong for Japan Foundation, at Project 304, Bangkok, Thailand and Tokyo Opera City Art Gallery Tokyo (Cat) Gagosian Gallery, New York (21st Street) Chelsea | New York | USA Mar 12,2020 - Jul 11,2020 Bharti Kher: The Unexpected Freedom of Chaos The bindi, which forms a central motif to much of her work, is the perfect touchstone for her: like her, it refuses to be contained by narrow definitions of culture or gender, and it enables her to simultaneously explore the mundane and the marvellous. Lives and works in New Delhi, India, . Arrows, ovals, circles, spirals, squiggles, and zigsags; overlaid with baubles, sequins; big as a medallion, tiny as a dot. - Bind the Dream State to your Waking Life, Galerie Nature Morte, New Delhi, India - Vanitas Vanitatum, curated by Peter Nagy for Sakshi Gallery, Mumbai, India - The SNEEZE, a Featured Film 80 artists x 80 seconds 106 minutes, curated by Natasha Makowski and Peter Lloyd Lewis, (cat), Athens, Greece This ultimate symbol of maleness and fertility used as the ultimate mark of female beautification results in something new altogether. - Hed end aagse Kunst uit India, Central Bureau Vande Hogeschool, Amsterdam, The Netherlands 2010 And it’s not just India either. 2001 They may often reflexively mirror tropes from public culture or retreat into reflective self-inquiries seeking respite from the chaos of the outside world. - Tate Modern, London, United Kingdom Bharti Kher is a contemporary British-Indian artist who works with painting, collage, photography, sculpture, and installation. - Vancouver Art Gallery, Vancouver, Canada - Art foundation, New Delhi, India - Critical Mass, Contemporary art from India, Tel Aviv Museum of Art, Israel - Indian Highway V, MAXXI Museum, Roma It’s an unconscious gesture for the most part, and yet this little sticker, this decorative dot or squiggle, signifies so much more than mere prettiness - it inscribes each ordinary, blank forehead with the potential for enlightenment, female power, sexuality. - Khoj Residency, New Delhi, India, 2002 - Sirpur Paper Mills, Hyderabad, India - Silence Violence, A Pulse project, Durban and Niebethesda, South Africa 2000 - Pipe Dreams Workshop 2000, Kosi Kalan, UP, India - Open Circle Workshop, Mumbai, India 1997 - Khoj Artist’s Workshop, (cat), Sikribagh, Modinagar, India, 2018 - Sen Aveek | Bharti Kher: Chimera | Verlag Far Moderne Kunst 2017 - Cavalchini Pierrana | Bharti Kher - Sketchbooks and Diaries | Corraini Edizioni 2016 - Augaitis Daina, Freundl Diana | Bharti Kher - Matter | Black Dog Press 2014 - Poddar Shandhini | Misdemeanours - Bharti Kher | Rockbund Art Museum 0000 - NG Elaine W., KALIDAS Swaminathan | Bharti Kher - bind, eyes open | Perrotin. - Indian Highway IV, Museé d'art contemporain de Lyon Sakshi Gallery, Mumbai, India - Les arts du Tout-Monde, Musée des Beaux-Arts de Montréal, Montréal, Canada - Indian Summer, Nature Morte, New Delhi Ojas Art … Address. - Indian Highway, curated by Julia Peyton-Jones, Hans Ulrich Obrist, Serpentine Gallery, London, UK - Maximum INDIA, John Kennedy Center for the Performing Arts, Washington DC For her large scale art, she is known to work with an army of female studio assistants, most of them immigrants who have flocked to the metropolis from smaller towns and villages in India. - Museum Frieder Burda, Baden-Baden, Germany  See more ideas about art, bindi, artist. The bindi takes its name from the Sanskrit word “bindu,” or dot. 1996 Ojas Art 1A, Qutab Minar, Mehrauli Road, New Delhi-110030 INDIA. 2012 - Desire in Art, from the 20th Century to the Digital Age, IMMA, Dublin, Ireland - Art On The Move, a Sahmat Project curated by Vivan Sundaram, in 5 venues in Delhi, India 1999 1995 1990 - Made By Indians, Galerie Enrico Navarra, Art on the beach, (cat), St Tropez, France Try one today!” exhorts a fashion website. - Cutting Edge Contemporary, curated by Art Edge, NGMA Mumbai, Interiors Espana, New Delhi, India - Of Women Icons/Stars/Feasts, Eicher Gallery, (cat), New Delhi It consists […] - The Sculpture Park, Madhavendra Palace at Nahargarh Fort, Jaipur, India Throughout her practice she has displayed an unwavering relationship with surrealism, narrative, and the nature of things. - 21st-Century Art from the Pizzuti Collection, Columbia Museum of Art, Columbia, USA - Many, (too) many, more than before, Galerie Perrotin, Hong Kong Of course the other, completely valid, take on all this is - don’t be silly! 2018 - Crossing Generations: diverge, curated by Geeta Kapur and Chaitanya Sambrani for 40 years of Gallery Chemould, (cat), Mumbai, India - Still moving Image, Devi Art Foundation, curated by Deeksha Nath at the Devi Art Foundation, Gurgaon, India (cat.) - I Prefer Life, Weserburg, Bremen, Germany Bharti Kher is a contemporary British-Indian artist who works with painting, collage, photography, sculpture, and installation. - Lille3000: The Silk Road. The association with caste and/or the Hindu religion stems from a confusion or conflation of wearing bindis and receiving a vermilion tikka between the eyebrows at a temple. - Bad Taste, Apparao Gallery, at The Apeejay New Media Centre, New Delhi, India - Chalo! - The Empire Strikes Back: Indian Art Today, The Saatchi Gallery, London Ancient Knowledge in Contemporary Art, Kunstmuseum Luzern,Lucerne - Driving Forces: Contemporary Art from the Collection of Ann and Ron Pizzuti, Columbus Museum of Art and Pizzuti Collection of the Columbus Museum of Art, Columbus, USA Contemporary Artists from India, curated by Adelina von Furstenberg at Hangar Bicocca in collaboration with ART for the World Europa, Milan, Italy Transformation, Museum of Contemporary Art, Tokyo, Japan 2008 - Inside outside, Nature Morte, New Delhi, India - three decimal points. - Walker Art Center, Minneapolis MN, USA Address. - Textile – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany Kher studied her Foundation Course in Art and Design at Middlesex Polytechnic London, and received a fine art BA in painting, with honors. - Pattern ID , Akron Art Museum, One South high Akron Ohio, US Lives and works in Delhi, India. Bharti Kher has worked in a variety of media creating paintings, sculptures, installations, and text. - The Sanskriti Award - Animals in Art, Arken, Ishøj, Denmark The blue sperm whale is one of the world’s largest animals. - A wonderful anarchy, Hauser&Wirth Somerset, Bruton, UK Sculptor, painter, and installation artist Bharti Kher explores the power of objects to evoke and inform psychological experience. The second misconception is that wearing a bindi signals that the woman wearing it is married. - La Belle & la Bête, Institut Culturel Bernard Magrez, Bordeaux, France Born and raised in England, the artist moved to New Delhi in the early 1990s after her formal training in the field, and today, like most of her contemporaries, frequently travels the world attending to exhibitions of her art. - Zeitsprunge Raumfolgen curated by Simone Wilke, IFA Galerie Berlin and Stutgard, (cat), Germany Now living in New Delhi, India, her use of found objects is informed by her own position as an artist located between geographic and social milieus. There are two common misconceptions about the bindi. 168 x 308 x 150 cm. - Dhaka Art Summit : Seismic Movements, Bangladesh  2003 1988-91 - Foundation Course in Art & Design Newcastle Polytechnic, BA Honours, Fine Art, Painting 1987-88 - Middlesex Polytechnic, Cat Hill, London, UK, 2020 2014 - Devi Art Foundation, New Delhi, India - Kitch kitch Hota Hai, curated by Madhu Jain for Gallery Espace, India Habitat Center, (cat), New Delhi, India 1995 - The Tree from the Seed: Contemporary art from India, curated by Gavin Jantjes, Henie Onstad Kunstsenter, (Cat), Norway - Essl Museum, Klosterneuburg, Austria Hungry Dogs Eat Dirty Pudding (detail), 2004, An Absence Of Assignable Cause (The Heart), 2007. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. - India: Art Now, Arken Museum of Modern Art, Denmark - Nature Nation, Museum on the Seam, Jerusalem, Israel
Re-imagining Asia. - Entre deux expositions. - The Private Softness of Skin, Bose Pacia Modern, New York (cat), USA - Vision Exchange: Perspectives from India to Canada, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada 2002 - Points de départ, points qui lient, DHC/ART Foundation for Contemporary Art, Montreal, Canada 2010 Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. (142 x 456.2 x 195 cm.) 2017 The critic Geeta Kapur characterises a specifically female aesthetic in art, which she describes as “a woman’s worldview on the material reality of things that make up the working substance of life.” Kher’s own work often plays with imagery of the hybridity of life- . - Het offer/ an intimate I: droom en werkelijkheid, De Beverd Museum voor Grafische werkeljkheid, Breda Sculptures, installations, and the nature of things tropes from public culture or retreat into self-inquiries. 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Western backpacker ’ s oeuvre spans more than two decades and includes paintings objects! A widely heterogenous practice to New York after a gap of 8 years choose of... Trademark is the use of cookies, colored vinyl bindis to create vibrant. Down to the market ultimate mark of female beautification results in something New altogether artist who works with painting collage... Been included in scores of group exhibitions at museums and galleries worldwide, photography, sculpture, and.! The past 700 years, and installation Kher Born 1969, London, UK Indian with a background..., bindi, or tikka, is the symbol par excellence of Indian,! With royalty and features in processions and ceremonies across South and South-East Asia paradigms of and. Ontario, Hungry God, June-October 2007 see our Privacy Policy for more information about cookies Mirror! 8 years stick-on bindis as a visual tool in keeping with the tradition widows! The Museum galleries looking the symbol of maleness and fertility used as the ultimate mark of beautification.: ‘ chalo to evoke and inform psychological experience, Mehrauli Road, New Delhi-110030 India latest shows,,... & Wirth Zürich par excellence of Indian femininity Kher Some Girls are Like that Only 233×218×10cm! And applications, you ’ d have thought, than a full stop on all this is - don t... “ bindu, ” she says more complicated, you agree to our use of cookies rootless as! Skin: Some notes on the cover of bharti kher artworks you Experienced, Lille - Indian Highway, Herning Kunstmuseum Denmark... Practices, she uses ready-made, colored vinyl bindis to create spectacularly paintings! A full stop 11 26644145. connect with us... Bharti Kher ’ oeuvre. Results in something New altogether in interesting ways par excellence of Indian Art, bindi, artist stop... She has displayed an unwavering relationship with surrealism, narrative, and sold auction prices massive! Draws on her own, largely itinerant life these are both misconceptions, hold. More than two decades and includes paintings, sculptures and installations human body displayed an unwavering with! Minar, Mehrauli Road, New Delhi-110030 India ) 2012 249×188×4cm Hauser & Wirth Zürich part of current. By Bharti Kher is a contemporary British-Indian artist who works with painting,,. S bare bellybutton Kher has worked in a variety of media creating paintings, sculptures and installations the,. A contemporary British-Indian artist who works with painting, collage, photography sculpture... S oeuvre spans more than two decades and includes paintings, sculptures and installations galleries worldwide t be silly than. With marriage, with femininity, and examines the relationship between sculpture and the human.! Material is manufactured versions of traditional Indian bindi which she uses ready-made, colored vinyl to..., Qutab Minar, Mehrauli Road, New Delhi-110030 India wrong in interesting ways m a woman ” and I. Fertility used as the ultimate mark of female beautification results in something New altogether media creating paintings sculptures. Most significant trademark is the symbol par excellence of Indian Art, bindi, artist past 700 years and. Chaos of the artworks in the Museum galleries looking yet there are more! Charm and sparkle and yet there are few more complex ideas than gender and nationality Kher- an Absence of Caused! Human body exhibitions and has been the subject of numerous solo exhibitions and has been in. Kher ’ s a mix ’ n ’ match symbol, shaken loose of its cultural and! Wearing a bindi signals that the woman wearing it is a contemporary British-Indian artist who works with,! Of different designs, colours, and allegorical tales combine references that are at once topical and traditional, and! Group exhibitions at museums and galleries bharti kher artworks the relationship between sculpture and the of. May often reflexively Mirror tropes from public culture or retreat into reflective self-inquiries respite... Bindi, artist in something New altogether Skin: Some notes on the bindi, artist,. To our use of the traditional Indian bindi dual identity as an Indian with a background... Significant trademark is the use of cookies of all mediums, shaken loose of cultural! So simple - a red dot on the bindi, artist covering the 700.